The UK export ban sculpture decision has stopped a historic marble bust from leaving the country. The move aims to protect cultural heritage while allowing time for a UK buyer to come forward.

🗿 Export ban placed on historic marble bust

The UK government has imposed a temporary export ban on an 18th-century marble bust. The sculpture shows Sir John Gordon and dates back to 1728. A French sculptor, Edmé Bouchardon, created the work.

The bust has an estimated value of £3.1m. Authorities reviewed the proposed export after an application sought permission to sell the piece overseas. As a result, officials decided to delay the export.

The decision followed advice from the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest. The committee assessed the sculpture under established cultural criteria.

Officials said the bust meets key standards due to its artistic quality and historical importance. Therefore, the committee recommended a temporary block on export.

🏛️ Time given for UK buyers to act

The export ban extends the deadline for a licence decision until 8 April. During this period, a UK buyer can match the sale price. If that happens, the sculpture can remain in the country.

This pause allows museums, galleries, or private UK collectors to make an offer. As a result, the government hopes the bust will stay accessible to the public.

The sculpture belongs to Highland Council. The council had planned to sell the bust to raise funds for community projects in Invergordon. However, the export delay now changes the timeline.

Officials confirmed that the ban does not stop a sale within the UK. Instead, it only prevents the sculpture from leaving the country during the review period.

Because of this process, the council can still benefit financially if a UK buyer completes a purchase.

🎨 Cultural value highlighted in review

Experts highlighted the rarity of Bouchardon’s works in the UK. This factor strengthened the case for the UK export ban sculpture decision.

The review committee also considered the bust’s strong links to British history. It noted that suitable alternatives are difficult to find, which added to its cultural weight.

Supporters of the ban said the decision helps protect national heritage. They also said it ensures important artworks remain available for study and display.

At the same time, officials acknowledged the council’s need to fund local initiatives. Therefore, the process aims to balance heritage protection with community benefit.

If no UK buyer comes forward by the deadline, authorities may reconsider the export licence. Until then, the bust will remain in Britain.

The case reflects how export controls operate when culturally significant objects face overseas sale.