Max Hollein, Director of the Metropolitan Museum of Art, recently addressed the Trump administration’s push to eliminate Diversity, Equity, and Inclusion (DEI) programs, stating that such policies “don’t apply” to the prestigious institution. Hollein’s remarks came in an interview with French art publication Le Quotidien de l’Art, where he expressed confidence that the Met would remain unaffected by the political shift in Washington.
The interview, which took place during Hollein’s visit to Paris for the Centre Pompidou’s “TransFORMS” exhibition—dedicated to his late father, architect Hans Hollein—covered a wide range of topics, including museum practices like deaccessioning, repatriation of artifacts, and the upcoming reopening of the Michael C. Rockefeller Wing.
Regarding the Trump administration’s stance on DEI, which aimed to reduce government-funded diversity programs, Hollein emphasized the Met’s commitment to fostering an inclusive environment within the arts. He reassured that the museum’s policies around DEI would not be influenced by changes in federal policy, reflecting the Met’s broader mission to be accessible to all communities and to champion diversity through its exhibitions and programming.
Hollein’s statement highlights the tension between government-led initiatives and cultural institutions like the Met, which often prioritize inclusivity as part of their institutional values. As cultural leaders continue to advocate for diverse and equitable representation in the arts, Hollein’s comments reflect a commitment to these principles, regardless of political shifts at the national level.
The interview also touched on Hollein’s role in guiding the museum through significant renovations, including the highly anticipated reopening of the Michael C. Rockefeller Wing, which will feature a new collection of art from Africa, Oceania, and the Americas. Hollein’s leadership during this transformative period at the Met has been lauded for its emphasis on both preserving the museum’s legacy and integrating more inclusive, contemporary perspectives into its exhibitions.
The discussion around DEI policies is part of a broader national conversation regarding diversity in the arts and education, with some institutions pushing back against federal directives aimed at reducing DEI initiatives. Hollein’s reassurances reflect a broader trend among cultural institutions to stand firm in their commitment to diversity and representation, regardless of political pressures.
As the Met prepares to unveil new galleries and expand its global influence, Hollein’s leadership continues to steer the museum toward inclusivity and broader cultural engagement, making it clear that DEI values remain a core part of its mission.
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